The City

As I continued my flight around the buildings, the sun was constantly in my way. I hoped it would have set enough for me to take images with ease, but I started photographing too early for that. To compensate, I flew behind the Comerica Bank Tower, but even then, the sun kept peaking around and almost ruined my shot. Another reason why I like this angle is because there is a direct line to the Margaret Hunt Hill Bridge. When I first look at this image, the buildings in the foreground stand out, but after looking around, it is a fun surprise to see the bridge. 

 

Lines

When I first arrived in downtown, I had hopes to fly through the buildings and make some videos. I soon realized that the radiowaves from Wifi, TVs, and radios created a much weaker connection to the drone than I thought. This meant that the drone lost signal as soon as I was behind one building. The first time this happened, there was quite a bit of panic and fear of losing the drone, but after four times, I felt like a seasoned veteran. Unfortunately, the signal was too weak to weave in and out of buildings, but I captured this image of the places I hoped to fly.

 

Sunset

As the school year is wrapping up and I finally have more free time, I decided to use it to take images! On this first excursion, I ventured to three spots in downtown Dallas. Surprisingly, there are few drone restrictions. Due to Love Field, sometimes I have to fly below 150 meters, but for most the most part, I can fly as high as I want. For this image, I captured the skyline along with Freeway 366. I then threw the picture into Photoshop and Lightroom, and added a filter creating a blue and almost vintage look.

 

Bluebird Skies

For my final image of this series, I specifically chose this one as I think it is my favorite. It starts with the grainy and fuzziness of the Instax camera. The image is not as clear, but I like that style. Next, the skiers going down the slopes help lead the viewer's eye to the background, where a slightly overexposed mountain lies. Unfortunately, with the Instax camera, I cannot control the shutter speed, aperture, or any of my typical settings. It makes the images different than what I would like, but again, sometimes the worse-looking image gives off a better message.

New Roads

Going back to the flight on my first day, where decreasing the drone's altitude was a struggle, I managed to take this image on my way down. I wanted to emulate one of the images I took last year in the mountains. To change it up this time, I found a spot where trees surrounded not one but two roads made from snow. What I found fascinating about these roads is that someone has to go out and remake them every time it snows. While I did not walk on this one, I did on a similar road. Let me warn you though make sure you walk in the middle of the path and not on the side unless you want to sink to your knees in snow.

Hues

After a fun day of skiing, I again went on another adventure. This time, dinner was a little later, which allowed me to explore later into the evening. Around 5:20, the sun set behind the mountains and started to change the colors of the sky. The unedited version of this image is not nearly as interesting as this one, but the filter trick again changes this image for the better. It adds the pink and blue-ish hues and darkens the whites on the mountains. 

 

Sundown

I continued experimenting with the Instax camera by taking a few landscape images. For this piece, I wanted to capture as much of the mountainside as I could, inspiring me to take a quadriptych (or a series of four images). Unfortunately, this website does not like pictures as wide as  I originally made this piece. I had to crop the image in half then position them as close together as possible. 

As for the Instax camera, it does not have a tripod mount, meaning each piece I take is handheld. I often take images handheld, but for something like this, where it would be helpful to move the camera a set amount, it was difficult to align and connect the images. It worked out, and I like having a little bit of overlap. 

Tetons

Countless times I had heard of the Teton Mountains, whether it was in Youtube videos or from pictures that I saw online somewhere. There is something different about these mountains from the Rockies. Maybe it is that they rise from almost flat prairie land or that this was a celebration trip for finishing my college applications, but something made these mountains special. Unfortunately, my extent of exploring the Tetons was limited by how far my legs could take me. In the future, I would love to go back and explore the surrounding area, including Teton and Yellowstone National Parks.

 

Preparing

On our second day, I decided to continue adventuring by riding the aerial tram up to the top of the mountain. Unfortunately, I might have chosen the absolute worst day to explore the summit. This image makes the weather seem calm, but I took it between gusts. The temperature was 16 degrees (I read that on the display they had), and I estimate that the winds were upwards of 50 miles per hour. My mask ended up freezing to itself, and at one point, I grabbed onto the snowcat in fear of being blown off the mountain. Even one Instax image froze and created this green pattern that ruined the image. All of this occurred over ten minutes, and the next thing I knew, I was taking another tram back down the mountain. 

Emotion

As my adventure continued, the clouds became more and more dramatic. I wanted to find a way that emphasized the clouds while showing my location. This is the original image (along with some edits), but I considered cropping out the houses on the bottom. I chose to keep them in to add another layer and show perspective, and I think they play well with the filter. Recently, I have been utilizing Adobe Lightroom's Presets, which allows me to select from already made filters. This specific filter turned the image black and white while adding a brownish tone. The filters simplify the editing process while creating a more fascinating image.

 

Into the Clouds

On this adventure, I brought along a new tool, well, a new tool for me. My new weapon of choice is an Instax Mini 26. I found it in my sister's room, thought it would look cool, and added it to my arrangement of photography devices. I have to say, sometimes the old feel on the images looks better than a perfectly crisp image. The colors are muted and slightly desaturated, the focus is not the clearest, and the overall hues are different than those I saw while taking the image. Of course, while it may not capture the moment as I expected, this Instax camera will definitely stay in my toolbox.

 

Emptiness

I captured this image before all the events I describes in my last post. At just under 400 feet, the straightness of the sole road that led to town fascinated me. I like the contrast between the two sides, one side with scattered trees and the other with smooth snow. The clouds provided an interesting touch as they streak diagonally across the image. I wish the mountains in the background were larger and you could see them more clearly, but that would take away from the emptiness of the land. I guess every image cannot be perfect.

 

Teton Village

After finishing the college writing process, I took an adventure to Teton Village, Wyoming. Not even five minutes after my dad and I arrived at the hotel, I took my first adventure. The views from the ground were incredible, but the views from above were outstanding. On my first flight, everything was normal as I flew up to 394 feet (specific, but it is the maximum within city limits), but when I tried to come down, it barely descended. Fortunately, it was slowly drifting down at two miles per hour, and I had enough battery life that it floated to the ground instead of falling, but for multiple minutes I was thinking about where the best spot for it to crash down to Earth.

 

0309

Continuing from Monday's description, this house stood out to me after a recent drive. The pink glow of Dallas reflecting on the low clouds, bright white porch light, and a large number of trees all combine into a dark and fascinating piece. When describing images like these, I try to keep my commentary basic. I prefer to let the viewer interpret the image as they please instead of self-imposing characteristics that someone might disagree with.

 

0359

Taking pictures of suburban America is a fun and slow process. After sunset, I drive slowly around various neighborhoods, and when I find a house that appears different than others, I snap an image. When editing, I do not have criteria for exactly what I want to see, but I want something unique and mysterious. In this image, it is the leaf-less trees in front of the houses. They split the photo into numerous pieces, and create a chaotic aspect to the image.

Heading Home

Welcome to 2022! After taking a nice break to recharge, I am back to capturing images. For this next series, I am capturing how suburban America has changed due to humans. I took this image to highlight people coming home from work. I combined multiple drone images of a road cutting through trees into one to add more streaks of light to the piece. While the combination process may seem simple, it is more complicated than one thinks. You can even see where I messed up in the bottom right, as one car is driving just slightly off the road. I tried multiple times to fix it, but this was the best I could do.

 

Colors

I specifically saved this image as the last one published from Trinity Groves. It was one of the sharper images and captured the color from the city lights in great depth. There is even a slight glow just above the skyline, which I believe adds to the image. But, most importantly, this shot highlights the car's lights and waving flag. I am still amazed how the drone remains still while taking long-exposure images, but whatever magic it uses, I greatly enjoy it. 

 

Dallas

I continued my flight by pushing the limits of my connection. I flew past the bridge and to the far side of the Trinity River. When flying, I can see five bars of connection. Five bars is the best, and one bar automatically triggers a return to home sequence. While taking this image, I was at two bars. The distance each bar reaches, and how far the drone can fly, varies depending on the terrain. For instance, in Colorado, where there were no buildings and signal interference, I flew over a mile away and still had four bars. While in Dallas, I flew a fifth of a mile and had one bar.

 

Crossroads

After switching the battery, I flew a little to the north and west to capture the entirety of downtown Dallas, including Reunion Tower. When editing, I wanted to magnify the glow that came above downtown. To accomplish this, I increased the amount of grain in the image. I don't often do this because I like my images to be crisp and clear, but recently I have been experimenting with this technique. It works in images like these because it increases the glow, but for regular images taken during the day, it is not effective.

 

Interstates

The next image I wanted to post is this one. I flew past the Margaret Hunt Hill Bridge and set my position again. One of the problems I often have flying in the city is medical helicopters. During this session, a PHI Medical helicopter was flying to a local hospital at 1,100 feet (I know this because the DJI drone app provides their flying height, and I have another app that provides flight information of all aircraft). I was flying at 385 feet, and while it was over the 100-foot buffer the FAA requires, I still wanted to be extra safe and flew down to 150-feet. But, the helicopter eventually flew over, and I was able to capture this image.

 

Home

The next spot I wanted to fly during the night was Trinity Groves. If you scroll down far enough, you can see that I have now been there three times. I went once with my camera during the night, once with my drone during the February snowstorm, and this time with my drone during the night. I think I have exhausted all possible pictures from here! I had been planning my trip here for multiple days, but the wind was too strong for images like these. Even when I took these images, you can tell by the flag how strong the wind was, but, after searching through two hundred pictures, there were enough clear images to post.

Chaos

For my final drone battery of this night, I ventured over to a nearby mall and took a few images from above. I was hoping to capture the entire mall and its multiple parking lots, but the mall was much bigger than expected, and I did not want to fly that high and risk fines. So, I stuck with one parking lot, the main one. When I flew over and was preparing to take these images, I was surprised by how little activity there was. I imagined seeing around ten cars moving, but there was much less traffic than expected, quite surprising for a Friday during the holiday season.

 

Silence

One of the few benefits to the sun setting so early is I can capture shots like this. For instance, it appears I took this image at nine or ten at night, but I took this image at 6:42 pm on a Friday, right when people are trying to get home. While the setting sun is annoying because my drive home from school is pitch black, it does help me take long exposure images before it becomes too late into the night. Regardless of the time taken, similar to the first image in this series, this image also seems peaceful. Even though there is the roar of traffic below, everything below the drone appears silent. 

Motion

After spending a drone battery flying above Interstate 75 (around thirty minutes), I drove on over to another intersection I knew would be very busy. The image you see is a combination of two images. Both were long exposures, but I wanted to emphasize the car lights more, so I merged the two. I have also been experimenting with different presets in Adobe Lightroom. A preset is an already constructed edit that you throw onto an image to quickly and easily edit it. For this image, I used Future 04. Essentially what it did was increase the contrast, vibrance, and saturation of all colors. This was my first image with the preset, but I think it will become much more commonly used.

 

Patience

For this next series, I wanted to do some night drone photography. I am calling it, What the Bird Sees. The idea is, after dark, I will fly over and around different areas of the city and capture the lights from above. It will be somewhat challenging because I can only take images if the wind is perfectly calm. For instance, this exposure was eight seconds. Multiple times there was just the slightest amount of wind, ruining the image. Regardless, I was able to capture an interstate and major road. From above, it almost looks peaceful with the smooth taillights and soft focus. But from experience, sitting at a stoplight above a loud interstate is anything but serene.

 

0056

As the night progressed and my homework pile wasn't dwindling, I decided to stop at one last house before calling it. When driving around, there isn't a specific type of house that I desire. This style of photography is to capture suburban America and everything that comes with it. That means no added lights and props, except for the occasional spray of water. The houses I look for are ones with lights on and window shades pulled back. Or sometimes, it is the door that intrigues me, like this image. I noticed the two lights and puddle and wanted to capture it all. 

 

Crashing

A few months ago, I posted this image from Portland, Maine. Recently, I edited it in the darkroom and manipulated it into the image you see today. I started by putting a digital negative template on the file, printed the negative, enlarged it on a piece of black and white paper, then toned it with a copper color. My explanation makes the process sound way more complex than it is, and the entire process took me just under two hours, but compared to the black and white version from Photoshop, I think the time is well worth it. 

Downtown

Recently, I have been messing around in the darkroom and physically manipulating images to make them black and white, and this image is no different. If you may recall, I took this image from the first time I visited Tandy Hills Natural Area in Fort Worth, Texas. I edited the image digitally, then printed it onto a negative, enlarged it, then printed it on black and white paper. I debated adding a tone to it but chose not to and decided to keep it simple, black and white. 

0009

Many of the images that follow this style come from long drives during the night. I will leave my homework for a few hours and enjoy the darkness, but all of the school work recently hasn't allowed me to take many images, so when it started raining, I knew I needed to explore. I was about thirty minutes into my drive when I saw this light post. While the rain made the picture-taking process a little more complex, it allowed for the light to reflect across the concrete. I positioned my camera low to the ground once again, then took this image.

 

0090

Dallas in the summer doesn't have much rain, so when it finally came, I knew I needed to capitalize. I wore a rain jacket, held an umbrella, and put a towel on my camera to shield it. And even with all of those precautions, my camera still got wet. Regardless, I stayed out and continued shooting. To capture this image, I set my camera on a tripod and positioned it as low to the ground as the tripod would go. While crouching under a leaky umbrella, I didn't even realize the blue light coming from the house. But while editing, I wanted those lights to be the focus of the image. I made sure to increase the exposure and vibrance in that area. It is subtle, but once you see them, they add a mysterious element to the image.

 

0029

Around the end of April, my photography teacher introduced me to Todd Hido. He often takes images of houses at night, with light pouring through the windows and furniture existent, but not humans. After editing, he makes the title the file number to allow for open interpretation of the image. I decided to follow this route and now have a collection of pieces for this style. I wanted this image to appear older and blurred. To accomplish this, I sprayed my camera lens with water. This action made the image appear softer, the focus slightly off, and added the streaks you see on the left side. It also amplified the warm light from the lamp throughout the image, which I believe rounds out the piece.

 

Into the Sun

Backing up a few hours from Tuesday's post, I had sent the drone into the air to capture the sunset. There was a steady breeze of about twenty miles per hour with gusts reaching thirty-five plus. The limit for my drone is sustained winds of twenty-three miles per hour, which was just barely high enough to tackle that night's storm. I tried taking a timelapse from the drone but kept receiving high wind warnings requesting that I land it. I ignored those requests, everything turned out alright, except that my time-lapse was quite shaky. Regardless, I was able to take a still out of the video, resulting in this image. I chose it because the sun is partially hidden behind a cloud, reducing the effect of a blown highlight. This, paired with the magical colors of the sunset and Fort Worth skyline, makes for a fabulous image.

 

Instantaneous

After spending way too long away from my camera, I decided one afternoon to take sunset pictures. You might recognize this spot from when I took images of the lunar eclipse it's, Tandy Hills Natural Area in Fort Worth, Texas. I had heard of a storm rolling in and couldn't think of any spots in Dallas to take lightning pictures, so I made the short drive. When I arrived, I wasn't alone. Three separate wedding photographers had already claimed their spots. I staked out my spot and set up my cameras. I had the GoPro and drone doing a timelapse and my Nikon doing a mix between timelapse and hand-held image taking. This image comes from a timelapse which I took individual images out of. There is no way for me to snap the shutter in time to catch lightning, so I had the camera automatically take pictures then I chose the best ones.

 Protect

For my final image of this short Northeast series, I traveled down to the Portland Head Light. This lighthouse was much more crowded than the other one due to its accessibility. If you Google an image of Portland, Maine, this lighthouse is in two of the first eight images. To make mine different, I took a long exposure panoramic image. The only time I was able to visit the lighthouse was during midday, which meant the exposure wasn't the longest, but it was long enough to smooth out some of the waves. 

 

Overlook

Back to within the park, I walked down on the rocks and found these two people who happened to be standing there. When adjusting the settings for this image, I had two things in mind. The first was capturing the people so that they were not blurry. The second was capturing the crashing waves and trying to make it blurry. See the conflict? I ended up finding some sort of middle ground, with the people frozen but wave semi-blurry. I think I could have slowed the shutter down a little more, but then I would risk blurry people. 

 

Watch

Near Two Lights State Park are the two lighthouses for which the park is named. After leaving the park grounds, I traveled north into a nearby neighborhood and flew the drone. My goal with the image was to capture the lighthouse in the foreground with the water it overlooks behind it. You can see a few trees on the far right of the image, making it challenging to fly low and reach the angle I wanted. I kept the drone above the street I took off from, and took this image.

Crash

One of the other places I was able to visit was Two Lights State Park. Unfortunately, there was just enough of a drizzle for me to ground the drone, but I'm not sure if I can fly in a state park, so maybe the rain was a good thing. While walking along the coast, I noticed how the waves crashed only on this rock. I took my ND filter and closed my aperture to lengthen the time the shutter was open. It took multiple attempts before I found the perfect wave, but the wait was well worth it. 

 

Mackworth Island

As I was searching Google Maps for nearby photo opportunities, I found Mackworth Island. Arthur Mackworth was given the island in 1631, and the name has stayed since. It now has a 1.5-mile trail that meanders along the outside of the island. The direction of this image is of the road that leads into and out of the island. I chose this direction to highlight the New England-style houses and used the road as a leading line to direct you towards them. 

 

Home

Welcome to Maine! Straight from the Pacific Ocean to the Atlantic. I luckily was able to swim in both oceans, each with its benefits and drawbacks. The Pacific was warm but with no islands, and the Atlantic was cold with islands. The swimmer part of me chooses the Pacific, but the photographer part of me chooses the Atlantic. Both oceans have their benefits, but I like the Atlantic more as it has better views. When I first arrived where I would be staying, I immediately knew I needed a picture of this house. It seemed almost too perfect. The lone house perched on the open bay. To capture the vastness of the bay, I took a panorama. It is not as wide as others I have taken in the past, but it is wide enough to capture the bay while focusing on the house. 

 

Overtaken

For my final image of the adventure, I wanted to show something that captured both the city and the ocean. As I mentioned a few posts ago, due to the full moon, high tide was higher than average. This meant that the waves crashed further inland. I positioned my tripod on the beach and waited for a wave to crash. The water made the sand shift, which made the image blurry, but my foot is a good stabilizer. Then, after a few tries, I was able to capture this image. 

 

Light

During one of the few clear sunsets, I sent the drone up thirty minutes into the nighttime. I was greeted with bright street lights and dim stars. One of the reasons why the light spread so much into the sky was due to the fog. Right after sunset, a thick fog rolled through. I believe this is from the temperature difference between the ocean and air, but I have not done enough research to know exactly why. This fog reflects the light which causes this glow above the city. 

 

Pier

Even after using this feature multiple times with the drone, I'm still impressed by it. Somehow a flying object that is subject to wind can take crisp long exposure images. Of course, if there is any gust of wind, it will ruin the image. But most of the time, this style of photography is successful. This style works best when there is a moving object, and the long exposure captures the motion, but it also works for capturing subjects in dark light. 

 

Sway

During one of our final nights on this adventure, I tried to photograph the full moon. I waited and waited, then waited some more, then I decided to check when it rose. 10:43 pm and it was 9:15. I packed my gear and started walking around town when I found these palm trees. I positioned my tripod as low to the ground as I could, then shot upwards. As you can tell by the blur of the trees and clouds, it was windy that night. I was discouraged by the blurriness at first but changed my mind once I realized that the stars could be the subject and not the trees.

 

Fast-Paced

After taking a few drone images, I ended the timelapse on my camera and positioned it to face the road. I added my neutral density filter to increase the shutter speed then took the image. One trick I used in this image is covering an object with another. In my case, a few construction vehicles ruined the mood. I used a flower bush to block them, hoping to make a more impactful image. If I were to change one thing it would be making the flowers more in focus. It would be nice to see some definition on them, but regardless, the image turned out great. 

 

Sunset

Near the spot of yesterday's image comes this one. North of Torrey Pines State Park is a public beach. As I was looking around, I noticed all of the lines from this angle: the lagoon, highway, parked cars, and ocean. The sun had set by now, which meant the only way to take a properly exposed image would be with a longer shutter speed. This was both good and bad. The good being smooth waves, the bad being blurry cars if they were moving. But, I think the waves are more important than the cars, and the image turned out quite well.

Lines

Some days I like to plan my sunset spots, and others I find on Google five minutes before leaving. We had just finished dinner, and I hadn't decided on a sunset spot for the night. I opened Google Maps and found a place called Sunset Seat, appropriately named. There was a line of cars parked along the highway, and that's how I knew the spot was a good one. There is a little trail system that leads to some cliffs overlooking the beach, I randomly took one then put down my bag. I sent the drone up, took a panorama, edited it up, and am now posting it. 

 

High Tide

When I think back on my California trip, this is the image that comes to mind. After some incredible food at Del Mar Pizza, I walked down to the beach to watch the sunset. I found a path above the beach and continued south. Eventually, I found this lifeguard stand that was closed for the night. There happened to be a full moon that night, and it was high tide. These two made the waves higher than average, causing them to reach the stand. I had the drone take a long exposure image and snapped the shutter.

Crashing

While it may look like all of the sunsets were clear, that is because the few sunset pictures I post are the ones when it isn't cloudy. Right after this sunset, a low fog rolled in and blocked a starry night. But for this image, I utilized the ND filter trick I mentioned a few posts ago and slowed the motion of the scene. It may seem weird that the drone was able to stay still long enough to take the image, but if you start the exposure right as a gust ends, you should be able to capture the image without any blur.

 

Watching

Panoramas are something I have seen many photographers do recently. I have done a few in the past, but nothing where I was purposefully trying to take one. But, when the sun was to the west, and the people were to the north, I knew there was only one option for this image. The trick to a panorama is to have the horizon line perfectly level. It took me a few minutes to realize this, but once I did, I immediately realized how incredible the image looked.