A few months ago, I posted this image from Portland, Maine. Recently, I edited it in the darkroom and manipulated it into the image you see today. I started by putting a digital negative template on the file, printed the negative, enlarged it on a piece of black and white paper, then toned it with a copper color. My explanation makes the process sound way more complex than it is, and the entire process took me just under two hours, but compared to the black and white version from Photoshop, I think the time is well worth it.
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